Chemical Flight

Cyanotypes captured in the middle of chemical transformation, these shimmering metal images & large-scale prints by Jocelyn Mathewes illustrate the unrepeatable beauty of the process.

ON VIEW August 20, 2020
ARTIST TALK @ 6:00pm on Instagram LIVE (WATCH REPLAY)
VIRTUAL OPENING @ 6:30pm on Facebook LIVE (WATCH REPLAY)

Local food feature:

SCRATCH BRICK OVEN PIZZA
Johnson City, TN

Pictured: a large family-friendly traditional pizza, a small “limited trust”* pizza, and a small “full trust”* gluten-free pizza, available at Scratch Pizza in Johnson City, TN.

*Scratch offers a creative menu approach: “full trust,” allows the restaurant to construct something to surprise and delight, “limited trust,” lets you cross out the things you dislike but give them freedom within those parameters, or you can select your own toppings, as usual.

POEMS BY LARRY D. THACKER

 

Seen, Then Unseen  

Before Hurricane Matthew, I was wondering 
where birds go exactly during normally bad
storms just here in town, far from the coastline, 

where trees still can blow sideways and nests 
just don’t seem enough. I feared such a cycle 
of wonder was inescapable, like getting swept 

up in the northern loop of a hurricane’s eyewall. 
I’d watched a bird up in a storm’s toss, fighting 
its best to glide against the headwind, forced 

to dive when it fatigued, wings almost buckling,
thrown down beyond my sight a block over,
helpless in this simple summer storm. Where 

do birds by the millions retreat, or hide, when 
a colossus comes rearing out of the sea and rolls 
the shores up over four states, pelting its reach 

inland for a hundred miles? I’ve been at the shore
during storms. Gulls, pelicans, and dune crows 
toughing it out in the winds, seemingly born in 

the violence, immune to the danger, evolved 
in the sea’s rage. Or might we not see the many  
lost, sunk to the bottoms of the rivers and lakes. 

Or out to sea, made more a share of the mystery,
hidden low, dark from the winds and questions. 

Ghost Flight 

A crow feather rests on a town sidewalk. 
A thousand hurried feet pass, splashing 
puddles in another spring storm. So light once 
the air barely noticed it, now it soaks 
in a foreign weightiness as the sun vanishes, 
all evening, all night, blankets down with warm 
morning fog. 
         Nearly dries as crawling sunlight
passes over. Stays. Decays ever so gently. 
Withers darkness to grays. Rainbow iridescence 
exhaling. Then, gone. Wind lifts what’s left just so,
mostly quill, like a stripped limb. 
      The humming
inky ghost remains, like rustiness of leaf stain. 
A thought of a thing, only. A feather once, yes.  
An outline, hued mostly between the lines now, 
waiting for the next hint of coming rain.  

Box of Crowns  

We found a closet full of down pillows
for the estate sale as we prowled the home. 
Seven of the old blue striped sort, stacked 
upon one another on the high shelves, 
pressed to the ceiling out of the way. 


There were names in cursive script 
on the glassed cotton, in dark pen, 
all in the same hand. Name: Date of death. 
The oldest from 1903. The last, 1981, 
with a name scratched out in a different hand. 


A hat box, from Macy’s, rested at head level,
labeled Mullins Family, held no fancy hat 
from a New York trip, but soft layers 
of wax paper-wrapped feather crowns 
extracted from each death pillow, 
tightly nested feathers, again labeled 
with names and dates, gently with pencil. 


The old mountain family believed 
the strange swirls were woven up in pillows 
at those very instants of death, 
as loved ones finally quit tossing and turning.  


The box could have easily been mistaken
for an abandoned collection of trial and error, 
never-used nests, by birds particular plumages
found in family’s pillow cases, little homes
newly made, eggs freshly laid, 
some nightly tossed heads of the living 
offering a rocking warmth, an odd hatching, 
the little birds then, in the mostly dark, 
commencing with the work that only comes 
naturally when surrounded by the twisted 
and confusing lingering of ailing kin. 

Chemical Flight

works by Jocelyn Mathewes
exhibition view & details

ARTIST STATEMENT

For the series Chemical Flight, cyanotypes were photographed mid-transformation in their chemical development. Because of the very nature of the process, a cyanotype cannot be arrested mid-development. For me, watching each print develop is part of cyanotype’s intoxicating beauty. While working on a custom art installation, I chose to photograph that chemical transformation—an attempt to capture and possess an unrepeatable, utterly unique moment in time. This series brings to the forefront something unseen; the midpoint of a process is often just as beautiful as the result.

Jocelyn Mathewes - instagram / website

 

THE POET

Larry D. Thacker is a published writer, artist, and veteran. His poetry appears in over 170 publications. Paintings, collections of poems and short stories are available.

website / instagram

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